Review: Volgarr the Viking (PC, 2013)

“RISE, WARRIOR!”

And so begins your journey through Crazy Viking Studios’ 2D tribute to the difficult 16-bit titles of old, Volgarr the Viking. If you’re looking for a game with copious checkpoints, an Easy setting, or something more passive, I suggest you look elsewhere. Volgarr is a difficult game that may seem unfairly cruel at times, but once you master its perfect controls and understand how to properly approach its many obstacles and enemies, it will reward you with a gameplay experience like no other.

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Its origins trace back to a small Kickstarter campaign launched in 2012 by just two guys: Kris Durrschmidt and Taron Millet. It successfully funded at the end of August, raising nearly $22,000 above and beyond the original $18,000 goal. There was definitely interest in making this game a success. One of my own biggest regrets was not knowing about this Kickstarter while it was happening. Had I known just how good this game was going to be, I would have sprung for the $150 tier, because the physical Sega Genesis box and cartridge would have simply been way too epic to pass up.

Fast-forward a little over a year to September 13, 2013 when Volgarr saw its public release. By then, I knew full well about it based on the buzz I’d been seeing online. Without a doubt, this looked like my kind of game. Tough, 2D, and meticulously constructed. I bought it, but as is the case with many of my purchases, it sat there unplayed while I focused my energy on Mario, Joel and Ellie, and the Nintendo Wii U.

So why did I choose this month to start? Well, when it comes to gaming, I fall into patterns and genres, and this summer has been all about retro games and platformers. Aban Hawkins & the 1001 Spikes, NES Remix, Electronic Super Joy, and Shovel Knight — which is another Kickstarter success story — are among the games that led up to my inevitable, true face-to-face with Volgarr

…and I’m sorry I waited so long.

Before diving in, I have to quickly mention the manual. It’s fantastic! Styled just like a Sega Genesis manual from the ’90s, it’s full of great information, tips, lots of screenshots, and fun artwork. Again, I wish I could have this in physical form, but even digitally, it’s a thing of beauty.

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Volgarr‘s gameplay will be familiar to those raised on the 8-bit and 16-bit games of the ’80s and ’90s. It owes a lot Taito’s 1987 arcade game Rastan, and even its opening scene will give fans of Taito’s game deja vu, but it pulls its influences from other classic games as well, including Magic Sword, Castlevania, and one of my all-time favorites, Ghouls’n Ghosts, which I did proudly beat back in the day.

Each area of the game is wonderfully and creatively constructed to not only challenge the player on an environmental level, but you’ll also have to contend with a myriad of cunning enemies, whose attacks are varied and extremely deadly.

And you will die. Over, and over, and over again. When I first began playing Volgarr, there was a moment early on where I was tempted to give up. I thought to myself, “Ugh, all this time I’m putting in, and I’m barely getting anywhere!” But then I realized that this was exactly the kind of experience that shaped me at a young age. Playing all of those tough games and beating them, no matter how impossible they might have seemed at the time.

That “one more try” quality is what makes Volgarr such a definitive experience for me. Mastery of the game’s techniques will turn you into an agile, bearded, loincloth-donning bad-ass. And you will take those skills with you — perhaps even arrogantly — through to see its three different endings.

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To get you there, Volgarr had a wide assortment of moves and tools at his disposal. Most interestingly, his jumps have a single, predetermined arc. There are no low, mid, and high jumps, and if you jump in a direction, the only way to change which way you’re going is to initiate a double-jump. This is very similar to Super Ghouls’n Ghosts on the Super Nintendo. He also has throwing spears, swords, shields, and additional aides to help him through each world. Double-jumping will make Volgarr do a spin-attack, he can roll past enemies, and bring death from above with a downward thrust.

The entire gameplay experience is fantastic, complemented with its trademark controls, which are responsive and predictable. Crazy Viking Studios has also made a number of significant tweaks to the game to make it especially friendly to the speedrunners, which shows just how much they care about making this game appeal to serious players, completionists, and the competitive community.

Graphically, Volgarr get most things right. The character and enemy animation is simply out of this world, and the game itself moves along at a fluid and rock-solid 60fps. Volgarr himself possesses a ton of animation frames, including one of my favorite oldschool touches: idle animations. It always disappoints me when I play a game that lacks these.

The playfield can be either left in its default mode, or you can click a button to zoom out for a much wider view of your surroundings. The zoom effect itself is nice, and the feature itself is extremely functional and helpful.

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The background and world art is also good, but isn’t a highlight of Volgarr‘s presentation. They have good color and are full of nice layers of parallax, but the level art isn’t as refined as the characters. When I think about the look of Sega Genesis games, I remember developers really extracting the most out of its limited color palette, blending and dithering together combinations that gave those titles their signature look. I am reminded less of those 16-bit console games here, and instead see early ’90s PC VGA games, which utilized fuller palettes, smoother gradients, and soft blurring.

As a result, I don’t think that the two different styles marry up quite as nicely as they could, but at the same time, the entire presentation does have a distinct, handcrafted look that gives Volgarr its uniqueness.

The audio, on the other hand, is across-the-board impressive, and it’s the one area of the game that belies its 16-bit exterior. That’s not a bad thing, however, as Volgarr is full of crisp, clear voice samples, vibrantly realistic sound effects, and a blood-pumping orchestral soundtrack, courtesy of composer Kochun Hu. While a more traditional Z80-based soundtrack might have been the preferred way to go, I think the music in Volgarr is great, and in my opinion, elevates the experience instead of it just being retro for the sake of it.

Volgarr was introduced for just $10 last year, and recently it saw a staggering sale price of $4 on GOG.com, but even at its full $12 asking price, this represents one of the best values in 2D side-scrolling action. There are six main worlds in the game, each broken into two long stages plus a boss battle. The main game gives the player unlimited lives, but sparse checkpoints. This is where players will hone their skills, learn enemy patterns, and master the game’s other various intricacies.

Beyond this, however, is a completely separate branch called the Path of the Valkyrie. This mode is comprised of remixed and redesigned worlds, plus a bonus seventh world and true final boss. It also features limited lives, which makes it a challenging, authentic, and super-fun arcade experience. Depending on how you do in this mode will determine which of the other two remaining endings you will get.

Speaking of the endings, they are all worth seeking out. Not only are they funny and entertaining to read, but they feature additional artwork not seen in the main game, plus a memorable credit sequence that is the icing on the cake.

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In closing, Volgarr the Viking is so far my favorite game of 2014 that wasn’t released in 2014. It’s a game that truly respects the player’s patience, understanding, and perseverance, and it comes with my highest recommendation.

And now I shall pray to the Allfather Odin that Crazy Viking Studios will produce a sequel. The world existing with only one Volgarr game would be criminal.

  • Graphics & Presentation: A-
    Beautifully drawn and animated sprites, environmental effects, parallax scrolling, scaling, rotation, transparencies, and nice use of color. Some backgrounds and art appear muddy and are not as nicely detailed as the brilliant sprite work.
  • Music & Sound Effects: A
    An excellent orchestral soundtrack brings the world of Volgarr to life. Bone-crunching sound effects, atmospheric ambient textures, and crystal-clear voice samples round out the very impressive audio experience.
  • Gameplay & Controls: A+
    Perfect, ultra-responsive controls make this one of the most intuitive games I’ve played in recent memory. Branching paths, lots of secrets, and diabolical enemy and platforming challenges will put the most seasoned players to the test. Super-tough, but not unfair.
  • Value: A+
    It took me nearly the entire month of August to get all three of the game’s endings. For $12 or less — it’s currently part of Humble’s Adult Swim bundle! — Volgarr represents outstanding bang for your buck.

Overall: A+

For more, including Volgarr playthrough videos with commentary, please check out my YouTube channel HERE.

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Where are the updates?

Remember when I said I’d treat this like a job and post something here every day? Yeah, I wrote a little bit about that here, and for several months, I did exactly that. It’s fun, and some of my most memorable updates were written over the course of the past few weeks.

But so far, I haven’t written anything this week, and I only had a couple updates before that. “So Mike, what gives?” Well, a couple things:

First of all, I’ve been applying and interviewing for a day job. As much as I love writing this blog and the “videogame vacation” I’ve been on this year, it doesn’t put food on the table. My wife works full-time, but I’d love to help ease those responsibilities and get myself back into the workforce as well.

It’s been an admittedly tiring and frustrating process. Being out of the videogame industry for nearly two years has been a huge Achilles’ heel as I’ve missed out on most of the PlayStation 4 and Xbox One cycle, and I’m quickly finding out that my lack of development experience is another major strike against me. For those who don’t know, I’ve spent most of my career working for publishers or developer/publisher hybrids, but never at a discrete studio.

The intangibles of why I’m a good employee don’t translate well without the context to back them up, and it’s not only underscored just how fast the industry is changing, but how specific I am in terms of fit. Or at least that’s how employers have viewed me.

Times like these I feel pretty darn close to just finding something, anything, and focusing most of my energy on banding together with some of my former colleagues to create an indie game of our own.

Secondly, I’ve realized just how time-consuming producing content is. I’m also finding that I enjoy creating videos for YouTube quite a bit, and I’ve been formulating how to construct my first video review. I’ve become pretty comfortable talking over videos of me playing games — basically just winging it — but in terms of following a script, editing video to complement what I’m talking about, and making it all look and sound professional? That’s a bigger undertaking, and it, well, kinda stresses me out.

My first video review will be for Volgarr the Viking, and if I’m lucky, I’ll have it done before the weekend, but more than likely it will drop after the holiday break. Speaking of breaks, we’ll be out of town this weekend. Seattle’s our destination, and we plan on doing all things touristy, getting away from the dry heat and constant fire dangers of The Dalles.

Anyway, thanks for your continued readership, support, and understanding. This has been a great creative outlet for me, and I appreciate the interactions I’ve had with you along the way!

Oh, and I’m totally serious about that indie game thing. Contact me if you want in.

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Review: Microsoft Xbox One Wireless Controller (PC)

Although I don’t own an actual Xbox One (XBO), I’ve been hearing great things about its controller since it launched nine months ago. My go-to controller for the PC has always been a wired Xbox 360 one, and aside from its terrible d-pad — and it is truly terrible, despite Microsoft trying to fix it a few times — is probably my all-time favorite controller. It has a great button layout, is comfortable to hold, and I’ve always preferred its asymmetrical and concave thumbsticks over the convex designs found on the PS3 and Wii.

It’s also one of the most durable controllers I’ve ever owned, and I’ve never had one fail… until now. Not bad considering I’ve been using this original white and gray one for what has to be close to a decade now, and it’s been put through the paces, most recently surviving Shovel Knight, Electronic Super Joy and all three of the Arkham games on PC, as well as being a reliable partner in getting me all the way through Super Meat Boy on the 360 back in 2012.

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Last week, I started Volgarr the Viking with it, and while it was doing OK for a while, the left thumbstick started to get unresponsive, and that’s not good, especially for a game like Volgarr. Plus, it’s very well-worn, with the raised bumps on its rubber surface barely intact, an ever-increasingly loose dead zone, and an unattractive yellow-greenish discoloration that makes me question my own hygiene. I also didn’t like having to swap controllers for retro gaming due to its DOA-pad, as I so affectionately called it.

“Baby, we had a good run, but I’m afraid it’s time to say good-bye.”

It took me a while to finally pull the trigger on the XBO controller, though. While 360 controllers can be had for a street price of about $30-35, the Xbox One controller costs a whopping $55-60. Sony DualShock 4 controllers are similarly priced, with the Wii U Pro Controller being about $10 cheaper. Controllers are important, however, so if you’re not using a good one, the experience suffers as well.

With my 360 controller not pulling its weight anymore, I clicked the “Place your order” button on Amazon and eagerly awaited its arrival.

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I was surprised when the big box arrived. I was half-expecting a padded mailer with the controller sealed in a blister pack, but I’m glad my $55 and change got me a nice box, complete with glossy finish over the controller images. I’m not being sarcastic here; I really do appreciate nice packaging, especially in this day and age where you’re lucky if you get anything resembling a manual at all with your $60 game.

But I digress.

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Getting back to the packaging, the box itself is nice and sturdy, with the only included plastic of any significance being the retail shelf hanger (which is recyclable) and the wrapper around the two AA batteries.

Yes, I said batteries. I’m guessing Microsoft had a good reason to stick with them, but it kind of blows my mind that their brand-new console still uses AAs. Sony ditched them last generation, and even Nintendo switched to rechargeable packs in both their Wii U GamePad and Pro Controller.

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Anyway, also included inside the box is, of course, the controller itself, a quick start guide, health/warranty information, and a 2-day Xbox Live Gold trial. I ditched Gold a long time ago, but Microsoft’s Games with Gold program makes it more enticing, especially for those used to the perks of PlayStation Plus.

I noticed that the hard internal cardboard that surrounds the XBO controller left light scuff marks on the back of its black housing. They’re minor, but I think Microsoft should include a protective wrap around it to prevent any damage if or when they revise the packaging.

Also, it’s important to note that if you plan on using this as a wired controller — which is how I’m reviewing it — you will need a Micro USB cable such as this one, since no cable is included. Thankfully, they’re dirt-cheap.

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The controller itself is quite similar to its 360 older brother, with a near-identical face button layout. On the back? No screw holes! Very nice design. Sometimes those recesses can dig into your fingers during heated, extended gaming sessions, so their removal is a very welcome update.

The Back and Start buttons now have symbols on them that represent View and Menu, which is just bizarre to me. Thankfully — at least on the PC — they behave just like the 360 buttons. The large, circular Guide/Xbox button has been moved up and away from the Back/Start cluster, which I think is great.

What isn’t great is that it now emits a constant white glow whenever the controller is plugged in. My SteelSeries mouse emits a similar glow, but I can turn it off if I want. As of this writing, there doesn’t seem to be any way to turn it off or reduce its intensity, which is unfortunate.

Another slightly annoying bit of behavior is that when you turn your PC on or your plug the controller into a USB port, the controller will vibrate for about 3 seconds. The first time this happened, I had the controller sitting on top of my PC case, which is made out of metal. The loud noise that resulted made me think one of my hard drives had died!

Hopefully both of these issues will be addressed in a future driver update, but to be honest, they’re very minor. The drivers themselves are still very new for the PC, having only been released about two months ago. You can download them HERE. Installation couldn’t be simpler, and you’ll be up and running within a couple of minutes.

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Grips feel meatier and more comfortable than they did on the 360 controller, and the triggers and bumpers have been redesigned as well.

The analog triggers are silky-smooth and are more or less silent when you press them. They have individual vibration motors in them, which I haven’t experienced firsthand yet. Microsoft calls them Impulse Triggers, but I believe this first PC driver simply emulates 360 controller support, so time will tell if this gets added in and PC game developers support them.

The bumpers are a little bigger on the XBO controller, but are otherwise similar to the 360 ones. My right bumper clicks significantly louder than the left one, though. Not sure if that is intended or not, but a cursory look around the internet shows that other users have observed this as well. In-game responsiveness is fine, however.

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What’s particularly nice about the XBO controller are both the new d-pad and analog thumbsticks.

The d-pad is by far the biggest and best improvement on the controller, with a nice concave shape, and satisfyingly tactile clicks with each directional press. Moving your thumb across it is smooth, diagonals are effortless, and it’s wonderfully responsive. If you like the feel of the 3DS XL or Wii U Pro Controller d-pads, you’ll absolutely love this.

The thumbsticks have been similarly revised, with thick, smaller diameter tops covered in a grippy material. I love these. As you can see on my 360 controller, any grip that was there to begin with is now gone. These have excellent feel, don’t slip at all, and are better-suited for multiple styles of play.

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The colored face buttons curve around the right side of the XBO controller more than they do on the 360’s. They are also slightly larger in diameter, sit more flush with the controller’s housing, and are less resistant, which yields great responsiveness. They are easier to read now too, with each colored letter set against a black background.

As with the 360 controller, there is an expansion port on the bottom for headsets and other future peripherals.

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So yeah, that darn battery compartment. The good thing is that it’s been designed to sit flush with the back of the controller. 360 owners know how bulky and intrusive the battery pack compartment is on the wireless controller, so it’s nice to see Microsoft improve the design significantly, to the point where you won’t notice it.

I do like the “Hello from Seattle” there on the inside label, too. Nice touch.

But again, why traditional batteries? Yes, I get that if a built-in rechargeable battery fails, you’re basically left with a dead controller, but through multiple generations, I have yet to have that happen. The sold-separately Play & Charge Kit will run you an additional $20, so you’re looking at $75-80 for just one controller, which is borderline absurd.

A brilliant aspect of its design, however, is the fact that the XBO controller doubles as a traditional wired one if you use a Micro USB cable with it. You don’t need any batteries at all if you choose to go this route, and it works beautifully. For PC, I believe this is the only option available, so it makes that decision an easy one.

Most importantly, gaming with this controller is a dream. It got me through the second stage of Volgarr the Viking this week, and the video above shows me playing through the first stage of Irem’s R-Type III: The Third Lightning on the Super Nintendo. Whether it’s classic side-scrolling action or frantic shoot-’em-ups, it gets the job done.

I haven’t played through R-Type III since the ’90s, and it’s crazy how advanced it was at the time! Some of those Mode 7 effects are still so impressive today.

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In any event, this is a great controller. It’s everything that made the 360 controller one of the all-time best, with improvements and refinements that make it even better. It’s not as radical a departure as, say, the Nintendo Wii controller was, but when your predecessor is so good, you don’t want to mess with it too much. You risk really screwing it up.

Although not without its faults and with room for improvement, this is a fantastic addition to anyone’s PC controller arsenal, providing seamless support for current and retro games alike. If you can play it with a 360 pad, you can play it with this. Highly recommended.

Overall: A-

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Volgarr the Viking: My 16-bit Obsession

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Volgarr the Viking for the PC is a special game. It’s also tough as nails. I’ve been playing it all week, and I can’t even get past the second world yet.

It’s the kind that you play, get utterly frustrated with, but start thinking about immediately after you turn it off. You’ll convince yourself that just one change in your approach will get you through a level unscathed, and then there you are, turning it back on to try again. When you close your eyes at night to go to sleep, all you can see is yourself playing through the game from beginning to end in exacting detail.

That’s precisely what’s happening to me at the moment. This was commonplace for me back in the 8-bit and 16-bit days. I would only get maybe one game per month, if that, so I would play and master every game I received, whether they were good or bad.

20140813_mm2Although I have played some difficult games in recent years, they bring with them modern conveniences, such as save slots or generous checkpoints that reduce the amount of times you have to replay levels. They keep you moving forward, and in many cases have bite-sized level design, which I think are good things, especially as gaming continues to broaden its appeal.

Bravely, though, Volgarr lacks any of that. The most you get is a mid-level checkpoint and the ability to skip stages you’ve already beaten. Respawning at a checkpoint, however, means you have to collect all your gear again and miss out on treasure. Skipping stages means you can’t get the game’s best ending. As such, the few bits of help the game offers come with trade-offs that give even these simple decisions consequence. For all intents and purposes, this game behaves like a cartridge with no passwords or battery back-up.

20140813_sgngAs I said, this approach reminds me of my youth, sitting in front of my Genesis and Super Nintendo getting absolutely destroyed by games like Super Ghouls’n Ghosts, Target Earth, and Contra III: The Alien Wars. And yet I beat them all and I was very, very good at them at the time. Why? Because I had no choice. I didn’t have any other new games to play, so I dedicated myself to what I had, and I loved every minute of it. I’m not someone who likes to show off, but I did enjoy showing my friends how to “easily” get through my games that they were struggling with.

Nowadays? In my Steam library, I have nearly 300 games. My console backlog is so deep that there’s no way there are enough years in a lifetime to play them all. For a system criticized for having “no games”, I have at least 5 on the Wii U that I haven’t even started yet. It’s no wonder then that I find myself moving away from the time-consuming genres I once loved, like 80-hour RPG epics, and prefer blasting through a 15-hour retro platformer, quickly moving on to the next one.

20140812_rosVolgarr, though, has shaken me to my core, and I’m thankful for that. It’s a reminder of why I can still remember the exact level layouts of The Revenge of Shinobi, but not be able to recall what the first level of Super Meat Boy looked like. That’s not a reflection on game quality, but I find that my memory of games is more generalized nowadays vs. how intimately specific they are from past gaming generations.

Feeling that way again this week has been awesome. I don’t know if I’d have this level of dedication with every game, but since it is an innate part of Volgarr‘s vision and design — in a day and age where ease and forgiveness are the norm — I’ll happily bite.

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